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Some bands turn into shorthand for a certain sound or style, and Pink Floyd belongs among that elite group. The very name connotes something specific: an elastic, echoing, mind-bending sound that evokes the chasms of space. Pink Floyd grounded that limitless sound with exacting explorations of mundane matters of ego, mind, memory, and heart, touching upon madness, alienation, narcissism, and society on their concept albums of the '70s. Of these concept albums, Dark Side of the Moon resonated strongest, earning new audiences year after year, decade after decade, and its longevity makes sense. That 1973 album distilled the wild psychedelia of their early years -- that brief, heady period when they were fronted by Syd Barrett -- into a slow, sculpted, widescreen epic masterminded by Roger Waters, the bassist who was the band's de facto leader in the '70s. Waters fueled the band's golden years, conceiving such epics as Wish You Were Here and The Wall, but the band survived his departure in the '80s, with guitarist David Gilmour stepping to the forefront on A Momentary Lapse of Reason and The Division Bell. Throughout the years, drummer Nick Mason and keyboardist Rick Wright appeared in some capacity, and the band's sonic signature was always evident: a wide, expansive sound that was instantly recognizable as their own, yet was adopted by all manner of bands, from guitar-worshiping metalheads to freaky, hippie, ambient electronic duos. Unlike almost any of their peers, Pink Floyd played to both sides of the aisle: they were rooted in the blues but their heart belonged to the future, a dichotomy that made them a quintessentially modern 20th century band.
The Piper at the Gates of Dawn That blues influence, quickly sublimated and only surfacing on the occasional Gilmour guitar solo, was the foundation for the band's very name, as the group decided to splice the names of two old bluesmen -- Pink Anderson and Floyd Council -- as a tribute to the American music they loved. These members of the early Floyd -- guitarist/singer Syd Barrett, bassist Roger Waters, keyboardist Rick Wright, and drummer Nick Mason -- were all architecture students at London Polytechnic, with the exception of Barrett, who was an art student and a friend of Waters since childhood. This version of the band started gigging regularly in 1965, with Barrett becoming the group's lead singer quite quickly. During this time, the group relied on blues and R&B covers, not unlike many of their British peers, but they wound up extending the time of their sets through extended instrumental jams, planting the seeds of space rock that would come to fruition not much later. In 1966, the group's increasingly adventurous sets became something of a sensation in the London underground, leading to a contract with EMI early in 1967. Their first single, "Arnold Layne," backed with "Candy and a Currant Bun," appeared in March of 1967, and it was banned from some radio stations due to its gender-bending lyrics, but the single wound up in the U.K. Top 20, and the group's second single, "See Emily Play" -- a menacing, mincing stomp with a profound, lasting influence -- went into the Top Ten, paving the way for the release of The Piper at the Gates of Dawn. On their full-length LP, Pink Floyd veered toward the experimental and avant-garde, particularly on the elastic, largely instrumental vamps "Astronomy Domine" and "Interstellar Overdrive," resulting in an album that had a significant influence not only upon its release but well beyond. It was also a hit in the U.K., reaching number six on the British charts.
Beberapa band berubah menjadi singkatan untuk suara atau gaya tertentu, dan Pink Floyd termasuk di antara kelompok elit itu. Nama itu sendiri berkonotasi sesuatu yang spesifik: suara yang elastis, bergema, dan membengkokkan pikiran yang membangkitkan jurang ruang. Pink Floyd mendasarkan bahwa suara tanpa batas dengan eksplorasi yang tepat dari hal-hal duniawi ego, pikiran, memori, dan hati, menyentuh kegilaan, keterasingan, narsisme, dan masyarakat pada album konsep mereka di tahun 70-an. Dari album-album konsep ini, Dark Side of the Moon beresonansi paling kuat, menghasilkan pemirsa baru dari tahun ke tahun, dekade demi dekade, dan umur panjangnya masuk akal. Album tahun 1973 itu menyaring psychedelia liar dari tahun-tahun awal mereka - periode singkat dan memabukkan ketika mereka digawangi oleh Syd Barrett - menjadi epik layar lebar yang lambat, diukir oleh otak sutradara Roger Waters, sang bassis yang merupakan pemimpin de facto band di 70-an. Waters menyulut tahun-tahun keemasan band, menyusun epos seperti Wish You Were Here dan The Wall, tetapi band selamat dari kepergiannya di tahun 80-an, dengan gitaris David Gilmour melangkah ke garis depan pada A Momentary Lapse of Reason dan The Division Bell. Selama bertahun-tahun, drummer Nick Mason dan keyboardist Rick Wright muncul dalam beberapa kapasitas, dan tanda tangan sonik band selalu jelas: suara yang luas dan ekspansif yang langsung dikenali sebagai milik mereka, namun diadopsi oleh segala macam band, dari gitar- memuja para metalhead ke duo elektronik yang aneh, hippie, dan ambient. Tidak seperti hampir semua rekan mereka, Pink Floyd bermain di kedua sisi lorong: mereka berakar pada blues tetapi hati mereka milik masa depan, dikotomi yang membuat mereka menjadi band abad ke-20 yang pada dasarnya modern.
Piper di Gerbang Dawn Pengaruh blues, cepat disublimasikan dan hanya muncul pada solo gitar Gilmour sesekali, adalah fondasi untuk nama band, ketika kelompok memutuskan untuk membelah nama dua bluesmen lama - Pink Anderson dan Floyd Council - sebagai penghormatan kepada musik Amerika yang mereka sukai. Anggota Floyd awal ini - gitaris / penyanyi Syd Barrett, bassis Roger Waters, keyboardist Rick Wright, dan drummer Nick Mason - semuanya mahasiswa arsitektur di London Polytechnic, dengan pengecualian Barrett, yang merupakan mahasiswa seni dan teman. Perairan sejak kecil. Versi band ini mulai manggung secara teratur pada tahun 1965, dengan Barrett menjadi vokalis grup cukup cepat. Selama masa ini, kelompok ini mengandalkan blues dan sampul R&B, tidak seperti banyak dari rekan-rekan Inggris mereka, tetapi mereka akhirnya memperpanjang waktu set mereka melalui kemacetan instrumental yang panjang, menanam benih batuan ruang angkasa yang akan membuahkan hasil tidak lama kemudian. . Pada tahun 1966, set kelompok yang semakin penuh petualangan menjadi semacam sensasi di bawah tanah London, yang mengarah ke kontrak dengan EMI pada awal 1967. Single pertama mereka, "Arnold Layne," yang didukung dengan "Candy and a Currant Bun," muncul pada bulan Maret. pada tahun 1967, dan dilarang dari beberapa stasiun radio karena liriknya yang melenturkan gender, tetapi single tersebut masuk di Top 20 Inggris, dan single kedua grup, "See Emily Play" - sebuah stomp yang menakutkan, menindik dengan pengaruh mendalam dan abadi - masuk ke dalam Sepuluh Besar, membuka jalan bagi pelepasan The Piper di Gates of Dawn. Pada LP full-length mereka, Pink Floyd berbelok ke arah eksperimental dan avant-garde, terutama pada elastis, vampir instrumental sebagian besar "Astronomy Domine" dan "Interstellar Overdrive," menghasilkan album yang memiliki pengaruh signifikan tidak hanya pada rilisnya tapi jauh melampaui itu. Itu juga sukses di Inggris, mencapai nomor enam di tangga lagu Inggris.
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